Look 01 · 京 都 · 一
Silk crepe with a hand-rolled hem. Made for a temple ceremony where everything else is wood, paper, and rain — the dress should be the quietest thing in the room.
Look 02 · 佛 罗 伦 萨 · 二
Italian Chantilly lace over silk tulle. For a garden ceremony at the golden hour — the lace is meant to catch the last light, not block it.
Look 03 · 巴 黎 · 三
Crepe-back satin, knee-length, square neck. Made for the city-hall wedding, the dinner after — the kind of bride who's never going to take it off until next morning.
Look 04 · 花 · 瓣 · 四
Hand-painted petals on the lower skirt — each dress takes our painter four mornings. For an engagement portrait, a city-hall, or a sunset toast on a rooftop.
Look 05 · 午 夜 · 五
A second-look slip dress for after the ceremony. Liquid silk that moves like water under house lights — for the part of the wedding when you can finally dance.
Look 06 · 墨 夜 · 六
A smoke-grey gown for the bride who refuses white. Cut from heavy mikado, with a single satin sash at the waist. Worn at our Hokkaido winter shoot — held its shape through a snowstorm.
每一件都要先见到本人才量。我们工作室在台北文昌街，按预约接待 —— 一杯茶，一次试穿，一封手写报价单。
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